The earlier recording is infectiously bouncy and spontaneous, while the second has a notably heavier, more portentous feel. This is quite evident in his two recordings of Haydn’s greatest oratorio, which were recorded in 19, respectively. Not surprisingly, the later recordings tend to be a bit slower and weightier, as he transitioned from Wunderkind to Old Master status. Aficionados argue endlessly online which version of a specific work is superior. Over the course of his career, Bernstein recorded much of the standard repertoire twice: With the New York Philharmonic in the 1960s, and again with a number of European orchestras in the 1980s. Haydn: The Creation New York Philharmonic (Sony, 1966) or Bavarian Radio Symphony (DG, 1986) In this list, I highlight those that continue to strike particularly strong chords in me. 88, and the Mahler symphony cycles, among others, remain bestsellers and need no introduction. The most obvious selections, like the suites drawn from Aaron Copland’s ballet scores, George Gershwin’s Rhapsody in Blue and An American in Paris , the Beethoven Violin Concerto with Isaac Stern, Sergei Prokofiev’s Peter and the Wolf coupled with Camille Saint-Saens’s Carnival of the Animals, Joseph Haydn’s Symphony No. He made so many, and their quality is so consistently high, that any fan could easily come up with a credible list without creating much overlap. Picking his greatest or most essential recordings is an impossible task.
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